Is Velvet Cat Proof? What to Specify If You Have Cats

Is Velvet Cat Proof? What to Specify If You Have Cats

A question we are asked regularly: is there a cat proof or claw-resistant velvet for upholstery?

The honest answer is no. Cats’ claws act like knives, and no fabric is knife proof. The question is not whether a fabric can resist a cat’s claws entirely — it cannot — but which fabrics survive the longest and look best under regular feline attention.


Why Velvet Is Particularly Vulnerable

Velvet pile is composed of cut fibre loops standing upright from a woven backing. A cat’s claw catches the pile fibres easily and pulls them from the backing. Over time this produces visible snags, thinning, and eventually pile loss in the areas the cat uses most. The softer and longer the pile, the more vulnerable it is. Mohair velvet and silk velvet are the most susceptible. Cotton velvet is slightly more resistant. None is suitable for a household with an active scratching cat.

The Most Resistant Options

At the practical end of the scale, faux leather — PVC or PU — offers the most resistance. A cat’s claw slides across a smooth, non-pile surface rather than catching in fibres. Marks from repeated scratching may eventually appear as surface scuffs but the structural damage accumulates much more slowly than with velvet. The texture provides less purchase for the claw, which may also reduce the cat’s interest in using the furniture as a scratching surface.

Tightly woven flat-weave fabrics — dense contract weaves in wool or synthetic blends — are more resistant than velvet because the tight interlacement of warp and weft yarns gives the claw less to catch. A flat weave will show wear over time but typically survives far longer than velvet under the same conditions.

Microfibre fabrics with a very short, dense pile are another option sometimes marketed specifically as pet-friendly. The short pile provides less claw purchase than standard velvet. Their durability is variable and depends heavily on the quality of the backing construction.

The Practical Recommendation

If you have cats and want to keep velvet, the only realistic approach is to give the cat an alternative — a dedicated scratching post or surface near the furniture — and keep the cat’s claws trimmed regularly. Even with these measures, velvet upholstery in a cat household will show wear faster than in a cat-free environment.

If the client wants fabric that genuinely holds up against cats over years of use, specify a high-quality faux leather or a tight flat-weave contract textile rather than velvet. For occasional cat contact — a cat that mostly uses the furniture as a sleeping spot rather than a scratching surface — a dense short-pile velvet may be acceptable if the client understands the risk.


For faux leather options including PVC and PU with high Martindale rub counts, see our faux leather types compared guide. For the specific environments and uses where velvet is not the right choice, see our when not to use velvet guide. For velvet types and how they compare, see our velvet types compared guide.

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Fabric Colour Trends 2009-10

We are doing some work for a medium sized architectural practice. One of the partners asked me what the ‘in-vogue’ colours were for fabrics. This got me thinking.

There’s the usual stock answer where a fabric company would quote something which sounded like we were dress makers. “The in-vogue colours are the colours on the cat-walk”. Luckily I didn’t answer that way, partly because I haven’t been to a Paris catwalk for a while and partly because what colours we wear are not the colours we design our interior spaces with. I have a few reds and ochres in my wardrobe but none on my walls. Similarly I probably have proportionately very much more taupe around the house than around my body. So clearly the cat-walk comparison is wrong.

The time delay as well. There must be 2-6 months delays in getting the very latest fashions from the catwalk to the mass market retail outlets. It’s pretty hard to turn out new fabric collections regularly in that timeframe.

And then I thought some more. The job was for a Mediterranean villa. Are the colour trends in this country and in this climate the same as in such warmer climbs? Probably not. Hotter climates favour colours that are physically cooler. Picture the white houses of a stereotyped Greek village.

And then I thought about personalities. The villa owner is a wealthy and aesthetically discerning business leader. Will that sort of person have the same tastes and influences as the middle classes of a London suburb? Or will their Chelsea architect/designer reflect the aesthetic views of their personal domain? Some well-known designers push the same colour schemes again and again – because they look great and they work. Is that a trend?

So I came to the conclusion that what defines a colour trend will vary. It will vary by geography, by social aspirations & standing and many other factors. I’m not sure they vary by time that rapidly how we furnish, organise and decorate our houses does change but that change is more on the scale of a decade than the fadish seasonal change for clothing.

That seemed a bit of a cop out answer though. Let’s be analytical about it. What colours do we sell the most of? Well, to be honest, it is still the classic-contemporary feel. So plenty of taupes, white, muted neutrals and the delightfully named beiges. Even with the acidic greens, purples and violent colours of the early 2000s that were blasted in our faces on ‘Changing Rooms’; I have to say that the upper end of the market very, very rarely asked for or bought these colours. So surely the colours we sell are the ones that are on-trend? Maybe, but maybe also we self select the markets we target, the products we stock and hence the type of customer we attract.

And really I would probably question the original question as well. Fabric is much more than colour; texture and design are also key.

So where did that leave me? I probably should have thought of a sophisticated way of saying “just buy what you like” or “get to know what your client likes and sell them that” and said that, but I didn’t.

Knit Backing Fabric For Contract Wall Covering

Knit Backing Fabric for Contract Wall Covering

Knit-backed fabric for wall covering applications consists of a face fabric — typically a woven or knitted textile — bonded to a lightweight knitted backing that stabilises the fabric for direct application to walls. The knit backing provides dimensional stability during installation, preventing the fabric from stretching or distorting when adhesive is applied, and allows the face fabric to conform smoothly to the wall surface without wrinkling.

For contract wall covering applications in non-domestic buildings, the fabric assembly — face fabric and backing together — must meet the applicable surface spread of flame standard. In the UK this is typically BS 476 Part 7 Class 1 for commercial interiors. The face fabric alone may meet Class 1 but the composite assembly with the backing must be tested and certified as a unit. For guidance on wall covering fire standards, see our BS 476 Part 7 guide and our wall panels and headboards guide.

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The UK’s Top-Market Fabric Suppliers To Interior Designers

Click the fabric company name for their web site (top Interior Designers updated for 2026 here):

Abbot and Boyd 020 7351 9985
Altfield 020 7351 5893
Alton Brooke 020 7376 7008
Borderline 020 7823 3567
Brian Yates 01524 35035
Brunswig 020 7351 5797
Bruno Triplet 020 7823 9990
Chase Erwin 020 8875 7441
Colefax 020 7244 7427
Colony Fabrics 020 7351 3232
Donghia 020 7823 3456
Gainsborough Silk 01787 372081
Henry Bertrand 020 7349 1477
Jab 020 7349 9323
Jane Churchill 020 7244 7427
Jrobertscott 020 7376 4705
KOTHEA 0870 285 4768
Kravet 020 7795 0110
Lee Jofa 020 7823 3455
Lelievre 020 7352 4798
Manuel Canovas 020 8877 6400
Nobilis 020 7351 7878
Pierre Frey 0207 376 55 99
Robert Allen 01494 474741
Sacho Hesslein 020 7352 6168
Silk Gallery 020 7351 1790
Turnell and Gigon 020 7259 7280
Watts Westminster 020 7376 4486
Zimmer and Rhode 020 7351 7115
Zoffany 08708 300 350

Many of these fabric companies sell a wide range of products including: chenille, contract fabric, faux / fake leather, mohair velvet, linen velvet, cotton velvet, wool,  hand woven products, natural silk, cashmere and damask for upholstery, curtains and cushions.

Dye Lot Variation in Fabrics

Fabrics are often woven in lengths of 50m, 100m or more. Manufacturers and distributors then hold these lengths and at some point a designer buys a smaller cut-length. If subsequently the fabric is damaged when being made up or if the end-client has requirements for additional fabric, then more is ordered. So far so good? But exactly which roll is the additional fabric going to be cut from?

It is important to realise that there can be variation in the dyes used. Normally manufacturers keep a record of the exact dye(s) used in the manufacturing process(es). This is a dye lot. The dye could have been added to make a coloured yarn early in the process or it could have been added to the fibre later if it is a printed fabric.

So when more fabric is ordered for the same client it is important to ensure the same dye lot was used as for the original order.

Variations do occur in almost all fabrics. So if the same dye lot cannot be re-ordered it is prudent for the designer to order a sample for matching. It is wise for designers, upholsterers, curtain- and cushion-makers to always request a sample to avoid costly mistakes.

Typically man-made/synthetic dyes are more easily chemically replicated and so are inherently less prone to dye lot variation. For natural products there is a much greater chance of variation. But again there is no hard and fast rule.

Colour also plays a part as some farbic colours are more prone to change because of the chemical structure of the dye and/or the fabric being used.

What if all the stock has been used and there is a variation? Do we have to start again?

Hopefully not and common sense has to prevail from time to time. For example, a dye lot variation can be negated by conditions in the final installation. So in the case where there are fabrics from different dye lots with one dye lot only used in each room only rarely will the be any noticeable difference from room to room. Even in the case where, say, curtains on different walls are made from different but similar dye lots then any dye lot variation can be made unnoticeable by the effect of varying amounts of sunlight through windows. Although bear in mind there are variations in the strength and type of light throughout the day and between sunlight and artificial light at night. Similarly in low light (cellar) conditions dye lot variation will be much less noticeable.

Finally bear in mind the age of the fabric/curtains and the degree to which they have been exposed to sunlight. Some fabrics naturally fade over time, depending on their colour fastness. In this case it is unlikely ever to be able to get a perfect match.

KOTWIG – New Farbic From KOTHEA

KOTHEA Release New Fabric For Interiors

LONDON, England. 04-MAY-2009 11.30 AM: KOTHEA today announced it has expanded its product range by the addition of KOTWIG. KOTWIG has an off-the-wall textured design. It has a high Martindale score which is unusually achieved without incorporating polyester. It is highly suitable for a wide range of uses including heavy upholstery and wall treatments in either domestic or contract installations.

Flickr Image Of KOTWIG
Flickr Image Of KOTWIG

Full information can be found <here>.

KOTWIG

Reference: 14-002-436

Colour Shown: Brown – Light Brown

Other colourways: 20

Width: 145cm

Repeat: None

Composition: 43% Linen, 36% Viscose, 21% Cotton.

Martindale: 40,000 ‘rubs’

Primary Usage: General upholstery or wall treatments, contract & domestic.

Type of fabric: Textured Weave

About KOTHEA.

KOTHEA are a top-market fabric house based in London serving customers throughout all of Europe and The Middle East. Founded in 1999 they have since continued to develop and sell an extensive range of timeless fabrics to the top architects, interior- and yacht-designers for projects ranging from mega-yachts to boutique hotels and from luxury spas to penthouses.

KOTHEA operate on a trade-only basis and their fabrics are available to the public through interior designers and specialist interior design shops such as Gotham, Interiors Bis and Fiona Campbell. KOTHEA also supply beautiful hand-woven linen fabrics and finished goods – throws and table linen.

KOTHEA’s trade customers would perceive their signature fabrics to include several ranges of velvet including the exclusive ‘cashmere silk velvet’, silks, linens, double-width sheers, faux leather and interesting weaves for upholstery often with high Martindale ‘rub tests’ making them highly suited to both contract and residential projects.

Founder and Executive Director, Lisa Parsons started KOTHEA more than 10 years ago after 11 highly successful years with Nobilis Fontan in Chelsea and Donghia in Chelsea Harbour. She says, “At KOTHEA we like to think we bring something a little different to the market. Our difference will be reflected in our customers’ eyes by unusual fabrics that complement our core fabric ranges; all augmented by our excellent levels of customers service, market knowledge and attention to detail.”

PR April 2009

KOTHEA Release New Fabric For Interiors

LONDON, England. 06-APR-2009 11.30 AM: KOTHEA today announced it has expanded its product range by the addition of KOCOSMIC. KOCOSMIC is a little bit quirky; like a faux skin without trying too hard to mimic nature. It has high rubs and is suitable for a wide range of uses including heavy upholstery and wall treatments in either domestic or contract installations.

KOCOSMIC

Reference: 03-004-378
Colour Shown: 3 Silver
Other Colourways: 19
Width: 140cm
Repeat: None
Composition: 100% Cotton base cloth, 95% Vinyl 5%, Polyurethane outer.
Martindale: BS5690 100,000
Primary Usage: Heavy upholstery, wall treatments, contract & domestic.
Type of fabric: Vinyl
Other: Passes BS5852 Schedule 4 Part 1 Cigarette Test, Schedule 5 Part 1 Match Test and Crib 5.

About KOTHEA.

KOTHEA are a top-market fabric house based in London serving customers throughout all of Europe and The Middle East. Founded in 1999 they have since continued to develop and sell an extensive range of timeless fabrics to the top architects, interior- and yacht-designers for projects ranging from mega-yachts to boutique hotels and from luxury spas to penthouses.

KOTHEA operate on a trade-only basis and their fabrics are available to the public through interior designers and specialist interior design shops such as Gotham, Interiors Bis and Fiona Campbell. KOTHEA also supply beautiful hand-woven linen fabrics and finished goods – throws and table linen.

KOTHEA’s trade customers would perceive their signature fabrics to include several ranges of velvet including the exclusive ‘cashmere silk velvet’, silks, linens, double-width sheers, faux leather and interesting weaves for upholstery often with high Martindale ‘rub tests’ making them highly suited to both contract and residential projects.

Founder and Executive Director, Lisa Parsons started KOTHEA more than 10 years ago after 11 highly successful years with Nobilis Fontan in Chelsea and Donghia in Chelsea Harbour. She says, “At KOTHEA we like to think we bring something a little different to the market. Our difference will be reflected in our customers’ eyes by unusual fabrics that complement our core fabric ranges; all augmented by our excellent levels of customers service, market knowledge and attention to detail.”

# # #

For Further Information
Please visit the company web site at https://www.kothea.com

Trademarks
KOTHEA is a registered trade mark of KOTHEA Limited. Other names may be trademarks of their respective owners.

 

KOTHEA PR

We have been lucky enough to be getting quite a lot of coverage of our new ranges for 2009. This year we decided to have a gradual month-by-month release of new designs rather than the usual Spring and Autumn collections…we’re not a clothes fashion company after all.

Have a look at some of our thoughts on the year ahead as shown in the excellent on-line design directory The House Directory. An excerpt from the MARCH 2009 edition is shown below.

For a sneak preview of some of our new fabrics we have a 2009 flickr feed.

March 2009 :: KOTHEA Release New Interior Fabric

KOTHEA Release New Fabric For Interiors

LONDON, England. 02-MAR-2009 11.30 AM: KOTHEA today announced it has expanded its product range by the addition of KODEKOBA, a fabric suitable for domestic upholstery. KODEKOBA has an unusual weave and texture. The striking weave makes the fabric highly suited for high visibility areas.

KODEKOBA

Reference: 02-001-386
Colour Shown: Light Brown
Other colourways: 3
Width: 140cm
Repeat: None
Composition: 55% Cotton, 26% Viscose, 9% Polyester.
Martindale: 18,000 ‘rubs’
Primary Usage: Residential upholstery & Cushions.
Type of fabric: Textured Weave

About KOTHEA.

KOTHEA are a top-market fabric house based in London serving customers throughout all of Europe and The Middle East. Founded in 1999 they have since continued to develop and sell an extensive range of timeless fabrics to the top architects, interior- and yacht-designers for projects ranging from mega-yachts to boutique hotels and from luxury spas to penthouses.

KOTHEA operate on a trade-only basis and their fabrics are available to the public through interior designers and specialist interior design shops such as Gotham, Interiors Bis and Fiona Campbell. KOTHEA also supply beautiful hand-woven linen fabrics and finished goods – throws and table linen.

KOTHEA’s trade customers would perceive their signature fabrics to include several ranges of velvet including the exclusive ‘cashmere silk velvet’, silks, linens, double-width sheers, faux leather and interesting weaves for upholstery often with high Martindale ‘rub tests’ making them highly suited to both contract and residential projects.

Founder and Executive Director, Lisa Parsons started KOTHEA more than 10 years ago after 11 highly successful years with Nobilis Fontan in Chelsea and Donghia in Chelsea Harbour. She says, “At KOTHEA we like to think we bring something a little different to the market. Our difference will be reflected in our customers’ eyes by unusual fabrics that complement our core fabric ranges; all augmented by our excellent levels of customers service, market knowledge and attention to detail.”

# # #

For Further Information
Please visit the company web site at https://www.kothea.com

Trademarks
KOTHEA is a registered trade mark of KOTHEA Limited. Other names may be trademarks of their respective owners.

UK & European Fire Treatment For Interior Fabrics

For which fibres can and cannot be FR treated, see our FR treatment and fibre compatibility guide. For how dye type affects FR treatment, see our dye types and FR treatment guide. For a complete guide to BS 5852 Crib 5 and how to specify fire-rated fabrics for contract interiors, see: BS 5852 Crib 5: A Complete Guide for Interior Designers and Specifiers.


No fabric company can self-certify the fire retardancy of their fabrics. Certification can only be issued by a UKAS-accredited test laboratory. The following is a summary of fire retardancy requirements by application.

1. Domestic

Curtains. No fire treatment is required.

Upholstery. The fabric must pass the match test (BS 5852 Source 1). The designer must first confirm the fabric passes the cigarette test (BS 5852 Source 0). The cigarette test meets the equivalent European standard BS EN 1021-1. The match test meets BS EN 1021-2. Fabrics containing at least 75% natural fibre content do not usually require treating for the cigarette test, but a Schedule 3 fire-retardant interliner must be used.

2. Contract

Curtains. The fabric must be treated to BS 5867 Part 2 Type B. Some fabrics meet this standard inherently; most require treatment. Some fabrics cannot be treated to this standard.

Upholstery. The fabric must be treated to BS 5852 Source 5 (Crib 5). This typically involves the fabric being back-coated, and most fabrics can be treated in this way. BS 7176 covers BS 5852 and additionally includes the cigarette and match tests and a water-soak requirement.

3. Other Applications

Headboards, bed covers, wall coverings, yacht interiors, and aviation interiors may have differing requirements. Confirm the applicable standard with the relevant authority before specifying.

There is broad equivalence between British and European standards. Standards for the United States are different and should be confirmed separately for any project with US compliance requirements.

For fabric sustainability certifications — GOTS, Oeko-Tex, and the Responsible Wool Standard — see our fabric sustainability certifications guide.

Request Samples

Order cutting samples of any fabric from our current collections. Trade accounts only.

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