How Much Fabric to Upholster Furniture: Estimates by Type

Estimating how much fabric a piece of furniture needs is one of the most common calculations in a specification, and one of the easiest to get wrong. This guide gives working estimates by furniture type in metres, explains the variables that change them, and shows how to add the pattern-repeat allowance. For pattern matching and repeat calculation, see our pattern matching guide.


Estimates by Furniture Type

These are working estimates for plain fabric on a standard piece, based on a 140 cm wide fabric. They are starting points for budgeting and initial ordering, not a substitute for the upholsterer’s measured calculation on the specific frame.

PiecePlain fabric estimate (140 cm wide)
Dining chair, seat only0.5 to 0.75 m
Dining chair, seat and back1.5 to 2 m
Occasional or accent chair2.5 to 4 m
Armchair5 to 7 m
Wing chair6 to 8 m
Two-seat sofa10 to 14 m
Three-seat sofa14 to 18 m
Large or corner sofa18 to 25 m
Headboard, single2 to 3 m
Headboard, king3 to 4.5 m
Ottoman or footstool1.5 to 3 m

What Changes the Estimate

Several variables move the figure up from the base estimate, sometimes substantially. Fabric width is the first: the estimates above assume 140 cm. A narrower fabric, such as 130 cm, needs proportionally more length, and a very narrow fabric changes the cutting plan entirely. Pattern repeat is the second and largest: a patterned fabric needs extra length to align the repeat across panels, added on top of the plain estimate. A directional fabric or one with a pile that must run the same way on every panel, such as velvet, restricts how pieces can be cut and raises the quantity. Deep buttoning, pleating, valances, and contrast piping all add fabric. Loose covers need more than tight upholstery because of tuck-ins and hems.


Adding the Pattern Repeat

The estimates above are for plain fabric. For a patterned fabric, add the repeat allowance on top: one full vertical repeat per cut length for a straight match, one and a half vertical repeats per cut length for a half drop. On a large-scale repeat this can add a significant proportion to the plain figure. The full method, with worked examples, is in our pattern matching guide.


The Rule That Prevents Shortfalls

Always have the upholsterer confirm the measured quantity against the specific frame before the fabric is ordered, and order the full quantity in one dye lot. A job that runs short mid-way needs a fresh order from a potentially different dye lot, which risks a visible colour difference and a programme delay. For dye lot management on larger orders, see our lead times and custom colour matching guide. For the full specification library organised by environment, application, and performance need, see our fabric buying guide by purpose.


Quick answers

How much fabric do I need to reupholster a sofa?
As a working estimate on 140 cm wide plain fabric, allow 10 to 14 metres for a two-seat sofa, 14 to 18 metres for a three-seat sofa, and 18 to 25 metres for a large or corner sofa. These are starting points for budgeting. A patterned fabric needs more to align the repeat, and a directional or pile fabric such as velvet needs more because of cutting restrictions. Always have the upholsterer confirm the measured quantity against the specific frame before ordering.


How much fabric to upholster a dining chair?
For a drop-in or fixed seat only, allow 0.5 to 0.75 metres of 140 cm wide plain fabric per chair. For a chair with an upholstered seat and back, allow 1.5 to 2 metres. Add a pattern-repeat allowance for patterned fabric, and order all chairs in a set from a single dye lot to avoid colour variation between them.


Why does a patterned fabric need more than a plain one?
A patterned fabric must be cut so the repeat aligns across every panel and seam, which means each cut length starts at the same point in the repeat and the fabric between those points is waste. Add one full vertical repeat per cut length for a straight match and one and a half for a half drop. On a large-scale repeat this can add a substantial proportion to the plain estimate.


To request cuttings before committing an order, visit KOTHEA.com/cuttings.

Request Samples

Order cutting samples of any fabric from our current collections. Trade accounts only.

Order Cuttings

Mohair Velvet vs Cotton Velvet: Which to Specify

Blue Velvet Chair

Mohair velvet and cotton velvet are the two natural-fibre velvets a UK designer chooses between most often. They look similar on a moodboard and perform very differently in a specification. This guide compares them across durability, fire rating, cleaning, appearance, and cost. For the full range of velvet fibres, see our velvet types guide.


The Core Difference

Mohair velvet has its pile woven from the hair of the Angora goat, a long, smooth, lustrous fibre of exceptional tensile strength. Cotton velvet has its pile woven from cotton, a shorter cellulose fibre. That fibre difference drives every specification distinction that follows: mohair is far more durable, carries an inherent fire rating, and has a directional sheen; cotton is softer in cost, matte in appearance, and needs treatment for contract fire compliance.


Comparison by Specification Measure

MeasureMohair velvetCotton velvet
FibreAngora goat hairCotton
Martindale rub count80,000 to 100,000 and above20,000 to 60,000 depending on construction
Fire ratingInherent BS 5852 Crib 5 in correctly certified ranges, no treatment neededNot inherent; topical FR treatment required for contract use
Cleaning codeS (solvent only)S or WS depending on range and treatment
AppearanceHigh lustre with directional sheen and depth of colourMatte to semi-matte, no directional sheen
SuitabilityHeavy contract and residential upholsteryDomestic upholstery, cushions, curtains, headboards
CostPremiumMid-range, plus FR treatment cost for contract use

Which to Specify

For heavy contract upholstery in hotels, restaurants, bars, and hospitality seating, mohair velvet is the sounder specification. It reaches 80,000 to 100,000 Martindale rubs, carries an inherent Crib 5 fire rating in correctly certified ranges without the cost or handle change of topical treatment, and its directional sheen gives the depth of colour associated with luxury upholstery. Confirm the inherent Crib 5 pass with an independent certificate for the specific range.

For domestic upholstery, cushions, curtains, and headboards where budget matters and use is lighter, cotton velvet is a sound mid-range choice. A well-constructed heavyweight cotton velvet reaches sufficient durability for general domestic and light contract use, but it needs topical FR treatment for any contract environment, which adds cost and can flatten the pile. Always confirm the specific Martindale figure, since cotton velvet quality varies widely.

For the fire treatment implications, see our Crib 5 guide. For durability figures, see our Martindale rub test guide. For the full specification library organised by environment, application, and performance need, see our fabric buying guide by purpose.


Quick answers

What is the difference between mohair velvet and cotton velvet?
Mohair velvet has its pile woven from Angora goat hair and reaches 80,000 to 100,000 Martindale rubs with an inherent Crib 5 fire rating in correctly certified ranges. Cotton velvet has its pile woven from cotton, reaches 20,000 to 60,000 Martindale rubs depending on construction, and needs topical FR treatment for contract use. Mohair has a directional sheen and depth of colour that cotton velvet does not replicate.


Is mohair velvet worth the extra cost over cotton velvet?
For heavy contract use, yes. Mohair velvet reaches far higher abrasion figures, carries an inherent Crib 5 fire rating without the cost and handle change of topical treatment, and lasts longer in daily multi-user settings. For lighter domestic use where budget matters, cotton velvet is a sound choice at lower cost, provided its Martindale figure suits the application and FR treatment is added where contract fire compliance is required.


Which velvet is more durable, mohair or cotton?
Mohair velvet is more durable. It reaches 80,000 to 100,000 Martindale rubs against cotton velvet’s typical 20,000 to 60,000, and its long, strong Angora goat fibre resists crushing and wear better than cotton’s shorter fibre. Mohair is the more reliable natural-fibre velvet for contract upholstery.


To request cuttings of any KOTHEA velvet, visit KOTHEA.com/cuttings.

Request Samples

Order cutting samples of any fabric from our current collections. Trade accounts only.

Order Cuttings

Faux Leather Sustainability: A Specifier’s Guide to Chemical Safety, Durability and Certification

Faux Leather Sustainability: A Specifier’s Guide to Chemical Safety, Durability and Certification

The honest position: Faux leather sustainability is best assessed through chemical compliance, durability, and certification rather than a single environmental claim.
Chemical baseline: UK REACH compliance is mandatory and restricts phthalate plasticisers, heavy metal stabilisers, and azo dyes.
Durability as environmental performance: A coated fabric achieving 200,000 Martindale rubs and a service life measured in decades requires replacement far less frequently than shorter-lived alternatives.
Type matters: Silicone leather leads on most environmental measures, PU sits between, and PVC is the most durable and readily certified.

Sustainability in faux leather is frequently reduced to a single word on a specification sheet, which is of little use to a designer who has to defend a material choice to a client or a developer. A more useful approach is to assess the material against the specific dimensions that can be documented and verified: chemical compliance, durability and service life, and the certifications the material holds. This guide sets out how to evaluate faux leather on those terms.

For chemical compliance in detail, see our faux leather types compared guide and our fabric sustainability certifications guide.


Chemical Compliance: The Documented Baseline

The most verifiable dimension of faux leather sustainability is chemical safety, governed in the UK by UK REACH. This is a mandatory regulation rather than a voluntary certification, which means every faux leather sold into the UK must meet it. UK REACH restricts substances of very high concern, and several of these historically featured in coated fabric manufacture.

Phthalate plasticisers are the most significant. Since November 2020, DEHP, DBP, DIBP, and BBP have been restricted to 1,000 mg per kilogram in consumer textiles under REACH. These compounds were used to make PVC flexible. High-specification PVC faux leather now uses phthalate-free plasticiser formulations as standard. Requesting confirmation of phthalate-free formulation is the single most useful chemical safety question a specifier can ask.

Heavy metal stabilisers, historically lead and cadmium compounds in PVC, are also restricted. Current-generation material uses calcium-zinc stabiliser systems. Azo dyes releasing carcinogenic amines are restricted across all fibre types. A faux leather confirmed compliant on these three points is safer for the people who manufacture it, install it, and use it, which is a substantive and defensible dimension of responsible specification.

Where a material also holds Oeko-Tex Standard 100 certification, that provides independent third-party confirmation that the finished product tests below defined thresholds for many of the same substances, complementing the mandatory REACH baseline.


Durability as Environmental Performance

The most significant and least discussed sustainability factor in faux leather is service life. A material that lasts is a material that does not need replacing, and the environmental cost of a replacement cycle, new manufacture, transport, installation, and disposal of the old material, is substantial.

High-specification PVC faux leather achieving in excess of 200,000 Martindale rubs has a service life in contract use measured in decades rather than years. A lower-grade coated fabric achieving 30,000 rubs in the same environment may require replacement several times over the same period. The cumulative material and manufacturing impact of the durable specification is a fraction of the repeated-replacement alternative, even before the disruption and cost of each replacement cycle is considered.

This reframes the durability data on a specification sheet as environmental data. The Martindale rub count, the hydrolysis resistance of PU, the UV stability that prevents surface degradation, and the cold crack resistance that prevents cracking in exterior use are all measures of how long the material will last before it must be replaced. Longevity is the environmental argument that coated fabric can make most credibly.


How the Three Types Compare on Sustainability

Silicone leather leads on most environmental measures. It uses no plasticisers, requires no fire-retardant additives to achieve inherent flame resistance, produces low VOC emissions in manufacture, and does not break down into microplastics in the way that some coated materials can. It is derived from silica, an abundant mineral. Its environmental credentials are defensible to a degree the other types cannot match, and its exceptional durability and UV stability give it the longest service life in demanding applications. The constraint is cost.

PU leather occupies a middle position. It does not contain chlorine, and water-based polyurethane systems significantly reduce VOC emissions in manufacture compared with solvent-based systems. It is generally the more environmentally benign choice between PVC and PU. Its limitation is durability: standard PU is susceptible to hydrolysis and has a shorter service life than PVC or silicone in humid or heavy-use conditions, which works against the longevity argument.

PVC leather is the most durable and most readily certified for fire performance. Its environmental case rests primarily on that durability and on chemical compliance: current-generation PVC using phthalate-free plasticisers and non-heavy-metal stabilisers is a substantially different material from older formulations. Its exceptional abrasion resistance and long service life are the strongest components of its sustainability position.


What to Request for a Sustainability-Led Specification

Where a project brief requires documented sustainability credentials for faux leather, define the specific requirements rather than accepting a general claim.

Request a UK REACH compliance declaration confirming phthalate-free formulation and the absence of restricted heavy metal stabilisers and azo dyes.

Request Oeko-Tex Standard 100 certification where available, specifying the class appropriate to the application.

Request the Martindale rub count and, for exterior or marine applications, the UV light fastness and cold crack temperature, and present these as service-life and therefore sustainability data.

Where recycled content is a requirement, request confirmation of recycled backing content and any GRS certification covering it, noting that GRS certifies recycled content origin rather than overall environmental performance.

For projects where silicone leather’s environmental profile justifies its cost, specify it directly for the applications where its properties are genuinely required rather than across the whole scheme.


Quick answers

Is faux leather environmentally friendly?
Faux leather sustainability is best assessed through specific documented dimensions rather than a single claim: chemical compliance under UK REACH, durability and service life, and the certifications the material holds. A durable, REACH-compliant, phthalate-free coated fabric with a long service life has a defensible sustainability position. Silicone leather leads on most environmental measures, PU sits in the middle, and PVC’s case rests on its exceptional durability and current-generation chemical compliance.

Is PVC faux leather safe?
High-specification PVC faux leather compliant with UK REACH is manufactured without the restricted phthalate plasticisers and heavy metal stabilisers used in older formulations. Current-generation material uses phthalate-free plasticisers and calcium-zinc stabiliser systems. Request a REACH compliance declaration confirming phthalate-free formulation, and an Oeko-Tex Standard 100 certificate where available for independent confirmation that the finished product tests below defined substance thresholds.

How does durability affect faux leather sustainability?
Durability is the most significant sustainability factor in faux leather. A material achieving 200,000 Martindale rubs and a service life measured in decades requires replacement far less frequently than a lower-grade material achieving 30,000 rubs in the same environment. The environmental cost of each replacement cycle, new manufacture, transport, installation, and disposal, is substantial, so the durable specification has a fraction of the cumulative impact. Durability data is environmental data.

Which faux leather is most sustainable?
Silicone leather leads on most environmental measures. It uses no plasticisers, needs no fire-retardant additives to achieve inherent flame resistance, produces low VOC emissions, and does not break down into microplastics. It also has the longest service life under UV and temperature extremes. Its constraint is cost. PU is the more environmentally benign choice between PVC and PU, while PVC’s case rests on its durability and current-generation chemical compliance.

What certifications should I request for sustainable faux leather?
Request a UK REACH compliance declaration confirming phthalate-free formulation and the absence of restricted heavy metal stabilisers and azo dyes. Request Oeko-Tex Standard 100 certification at the class appropriate to the application. Request the Martindale rub count and, for exterior or marine use, UV light fastness and cold crack temperature, which function as service-life and therefore sustainability data. Where recycled content is required, request GRS certification covering the recycled backing.


For the full technical comparison of PVC, PU, and silicone leather, see our faux leather types compared guide. For sustainability certifications across all fibre types, see our fabric sustainability certifications guide. For chemical compliance in detail, see our REACH compliance guide.

Request Samples

Order cutting samples of any fabric from our current collections. Trade accounts only.

Order Cuttings

Fabric for Outdoor Terraces and Semi-Outdoor Spaces: A Specifier’s Guide

Fabric for Outdoor Terraces and Semi-Outdoor Spaces: A Specifier’s Guide

The core distinction: Fully exposed outdoor upholstery — uncovered garden furniture, open roof terraces, open deck furniture on yachts — requires solution-dyed acrylic or similarly engineered outdoor fabric. No standard interior upholstery fabric is appropriate for this application regardless of treatment.
Covered and semi-outdoor spaces — glazed atriums, covered hotel terraces, loggia, indoor-outdoor restaurant areas — have more flexible requirements. High-grade faux leather with outdoor ratings and selected contract fabrics with UV resistance are appropriate where direct weathering does not occur.
The UV question: Light fastness grade 6 to ISO 105-B02 is the minimum for any fabric in high sun exposure. Grade 7 or above for south-facing unshaded locations. Standard interior fabrics typically achieve grade 4 to 5 and will fade visibly within one to two seasons in direct sun.
Marine crossover: The same fabric types used on hotel terraces are specified for yacht cockpits and deck-level saloons. The fire standard requirement differs — hotel terraces follow building regulations, yacht interiors follow IMO FTP Code. See our IMO marine fire standards guide for the yacht specification in full.

Hotel terraces, covered restaurant areas, glazed atriums, and loggia represent some of the most demanding fabric specification environments in interior design. They combine the aesthetic expectations of a fully designed interior with the performance requirements of an outdoor environment — UV exposure, moisture, temperature variation, and cleaning regimes that would destroy most standard upholstery fabric within a season. Getting the specification right requires understanding exactly where a space sits on the spectrum from fully sheltered interior to fully exposed exterior, and selecting fabric accordingly.


Mapping the Exposure Level

The starting point for any outdoor or semi-outdoor fabric specification is an accurate assessment of what the fabric will actually be exposed to. The relevant variables are direct UV exposure, moisture exposure, and temperature variation.

Fully exposed outdoor — uncovered garden furniture, open roof terrace seating, poolside sun loungers, open deck furniture on yachts — represents maximum exposure to UV, rain, humidity, and temperature cycling. Only fabrics engineered specifically for this application are appropriate. Solution-dyed acrylic is the industry standard. The dye is incorporated into the fibre during extrusion rather than applied to the surface, so it cannot fade or wash out regardless of UV exposure or repeated wetting. Standard interior upholstery fabric, including contract grades with high Martindale counts and FR certification, is not appropriate for this application.

Covered outdoor — a terrace with a solid permanent roof, a covered loggia, a pergola with solid cover — receives indirect UV exposure, minimal direct rain, and some temperature variation. High-grade faux leather with outdoor ratings, solution-dyed acrylic, and selected high-UV-resistance contract fabrics are all appropriate. Standard interior fabric without UV resistance will fade and degrade, though more slowly than in fully exposed locations.

Glazed indoor-outdoor — a glazed atrium, a conservatory restaurant, a winter garden, an indoor-outdoor bar with large opening glazed screens — receives significant UV transmission through glass and elevated temperature, but no direct moisture. UV transmits through standard glass — less than direct sunlight but enough to cause significant fading in fabrics rated at grade 4 to 5 over two to three years. Fabrics in these spaces should carry a minimum light fastness grade of 6 and ideally 7.

Semi-outdoor with intermittent exposure — a restaurant with retractable roof panels, a terrace with awnings deployed during rain — falls between categories. Specify for the worst exposure condition the fabric will regularly experience, not the average.

Pool and spa surrounds add a further variable that outdoor UV and moisture specification does not address: chlorine, which chemically bleaches dyes and degrades coatings by a different mechanism than sunlight. For poolside, spa, and chlorine-exposed environments, see our poolside and chlorine-exposed fabric guide.


Solution-Dyed Acrylic: The Standard for Fully Outdoor Use

Solution-dyed acrylic is the benchmark specification for fully exposed outdoor upholstery. The fibre is dyed in the polymer melt stage before extrusion, making the colour a structural part of the fibre rather than a surface application. The result is a fabric that is genuinely colourfast to UV exposure — tested light fastness grades of 7 to 8 to ISO 105-B02 are standard for quality solution-dyed acrylic, compared to 4 to 5 for most piece-dyed interior fabrics.

Solution-dyed acrylic is also water-repellent, mould and mildew resistant, and dimensionally stable under repeated wetting and drying. Martindale rub counts for outdoor-grade acrylic are typically in the 30,000 to 50,000 range, adequate for hotel terrace and restaurant seating applications. The fabric can be cleaned with mild soap and water, and many outdoor acrylic fabrics can be machine washed.

The limitation of solution-dyed acrylic is aesthetic. The material has a different handle and surface character from interior upholstery fabrics. High-end hotel terrace projects that require a premium interior aesthetic often use solution-dyed acrylic for fully exposed seating and transition to higher-grade fabric for covered or interior-adjacent areas.


Faux Leather for Outdoor and Semi-Outdoor Applications

High-grade faux leather — specifically PVC and PU constructions with outdoor performance ratings — is the most practical specification for covered terraces, glazed indoor-outdoor areas, and any semi-outdoor application where the aesthetic demands a more premium material than outdoor acrylic.

Faux leather’s smooth, non-porous surface is inherently resistant to moisture and easy to clean, making it well suited to terrace and outdoor dining environments. The critical performance variable for outdoor use is the UV stability of the top coat. Standard interior-grade faux leather will chalk, crack, and delaminate when exposed to sustained UV and temperature cycling. Outdoor-rated faux leather carries a UV-stable top coat with independently tested colour fastness at grade 6 or above and is formulated to resist the temperature differential between sun-exposed and shaded surfaces.

Kothea’s faux leather ranges include products with outdoor performance ratings suitable for covered terraces, semi-outdoor dining areas, and indoor-outdoor applications. Dedicated outdoor fabric ranges are also carried periodically — availability varies by season and current stock. Contact us directly to discuss current outdoor-rated options for a specific project. For faux leather types compared including PVC and PU, see our faux leather types guide.


Fire Standards for Hotel Terraces and Outdoor Hospitality Spaces

The fire standard requirement for fabric in outdoor and semi-outdoor hospitality settings is determined by whether the space is classified as a non-domestic building under UK building regulations and fire safety legislation, not by whether it is physically outdoors.

A hotel terrace or covered restaurant area that is part of a non-domestic building is subject to the Regulatory Reform (Fire Safety) Order 2005. For upholstered seating in hotel and restaurant environments, this is typically BS 7176 Medium Hazard, which requires BS 5852 Crib 5 certification. For curtains or fabric wall treatments in these areas, BS 5867 Part 2 Type B applies.

The practical implication is that specifying outdoor fabric for a hotel terrace is not simply a question of UV resistance — the fabric must also carry appropriate fire certification. Solution-dyed acrylic outdoor fabrics are not automatically Crib 5 certified. Confirm fire certification with the supplier for the specific fabric being specified. For the BS 7176 and Crib 5 requirements in full, see our Crib 5 guide and our hotel fabric specification guide.


The Marine Crossover: Yacht Decks and Hotel Terraces

The same fabric categories used on hotel terraces are specified for yacht cockpits, deck-level saloons, and flybridge seating — the exposed and semi-exposed areas of a yacht interior. The performance requirements are directly parallel: UV resistance, moisture tolerance, ease of cleaning, and structural integrity under temperature variation. Solution-dyed acrylic and outdoor-rated faux leather are the two primary specifications in both contexts.

The key difference is the fire standard. Hotel terraces follow UK building regulations and BS 7176. Yacht interiors are subject to IMO FTP Code requirements under MCA MGN 580 for UK-flagged vessels — a different regime. A fabric that meets Crib 5 for a hotel terrace may not meet the IMO FTP Code Part 8 requirement for a yacht. The certifications are not interchangeable. For the complete specification for yacht and marine interiors, including a downloadable yacht fabric specification checklist, see our IMO marine fire standards guide.


Light Fastness: Minimum Grades by Location

Fully exposed outdoor locations require grade 7 to 8. Only solution-dyed acrylic and equivalent engineered outdoor fabrics achieve this reliably. Grade 6 is the minimum acceptable for covered outdoor locations with significant indirect UV exposure. Glazed indoor-outdoor areas such as atriums and conservatory restaurants should be specified at grade 6 as a minimum, and grade 7 where the glazing is south-facing or large area. Standard interior contract upholstery achieving grade 4 to 5 is not appropriate for any of these applications.

For the Blue Wool Scale explained in full including how light fastness is tested and what the grades mean for different applications, see our light fastness and Blue Wool Scale guide.


Cleaning and Maintenance in Outdoor Environments

Outdoor and semi-outdoor upholstery is subjected to cleaning regimes significantly more demanding than interior upholstery. Hotel terrace seating may be wiped down multiple times per day with cleaning products that would degrade an interior fabric rapidly. Confirm the specific cleaning products used by the operator before finalising a fabric specification for any hospitality outdoor application.

Solution-dyed acrylic is compatible with mild soap and water and most standard hospitality cleaning products. Check the manufacturer’s specific guidance on bleach-based cleaners — some outdoor acrylics tolerate dilute bleach for mould treatment, and some do not. Outdoor-rated faux leather can typically be cleaned with pH-neutral cleaning agents and water, but confirm UV-coat compatibility with the supplier for any chemical outside that range.


Quick answers

Can I use contract upholstery fabric on a hotel terrace?
For a covered terrace with no direct rain exposure and moderate indirect UV, a contract fabric with high light fastness (grade 6 or above) and moisture resistance may be appropriate. For any location with direct sun exposure, a standard contract upholstery fabric will fade and degrade within one to two seasons regardless of its Martindale count or fire certification. Outdoor-rated faux leather or solution-dyed acrylic is required for locations with significant UV exposure.

Does outdoor fabric need Crib 5 certification for a hotel terrace?
Yes, if the terrace is part of a non-domestic building subject to the Regulatory Reform (Fire Safety) Order 2005. The fire safety obligation does not disappear because the space is outdoors. Confirm fire certification for the specific outdoor fabric being specified — not all outdoor fabrics carry Crib 5. For BS 7176 Medium Hazard requirements, see our hotel fabric specification guide.

What is the difference between hotel terrace fire standards and yacht fire standards?
Hotel terraces follow UK building regulations and BS 7176 Medium Hazard requiring Crib 5 certification. Yacht interiors follow IMO FTP Code requirements under MCA MGN 580 — a different regime that is not equivalent to Crib 5. A fabric certified for a hotel terrace is not automatically compliant for a yacht interior. See our IMO marine fire standards guide for the yacht requirements in full.

What light fastness grade do I need for a glazed atrium?
A minimum of grade 6 to ISO 105-B02. For south-facing or large-area glazing, specify grade 7 where possible. UV transmits through standard glass — enough to cause significant fading in fabrics rated at grade 4 to 5 over two to three years. Confirm the light fastness grade per colourway, not just for the fabric range, as different colourways can have significantly different light fastness performance.

Does Kothea supply outdoor fabric?
Kothea’s faux leather ranges include products with outdoor performance ratings suitable for covered terraces and semi-outdoor applications. Dedicated outdoor fabric ranges are carried periodically. Contact us directly to discuss current outdoor-rated options for your project at KOTHEA.com/cuttings.


For the IMO fire standards for yacht and marine interiors, see our IMO marine fire standards guide. For light fastness grades and the Blue Wool Scale, see our light fastness guide. For faux leather types and outdoor performance ratings, see our faux leather types guide. For hotel and hospitality fire certification, see our hotel fabric specification guide. To discuss outdoor fabric options for a specific project, visit KOTHEA.com/cuttings.

Request Samples

Order cutting samples of any fabric from our current collections. Trade accounts only.

Order Cuttings

Velvet Types Compared: Mohair, Cotton, Silk, Linen and Synthetic

Velvet Types Compared: A Complete Specifier’s Guide for Interior Designers and Architects

  • Most durable natural velvet: Mohair, 80,000 to 100,000 Martindale rubs
  • Contract fire standard: BS 5852 Crib 5, inherent in correctly certified mohair; topical treatment required for cotton, linen, and silk
  • Cleaning code: S (solvent only) for most natural velvets; W or WS for synthetic
  • Decorative use only: Silk velvet and cashmere velvet, not suitable for upholstery in regular use

Velvet is a construction method, not a fibre. A velvet fabric is produced by weaving two layers of cloth simultaneously with threads connecting them, then cutting those threads to create an upstanding pile. That pile can be made from almost any fibre, and the fibre is the primary determinant of specification performance, durability, fire rating, cleaning requirements, light fastness, and cost, alongside construction, pile density, and backing. Choosing between velvet types on aesthetic grounds alone is the most common specification error in interior design.

This guide compares the principal velvet types available to specifiers in the UK market across every dimension relevant to a professional specification. For a direct two-way comparison of the two most-specified natural velvets, see our mohair velvet vs cotton velvet guide. For background on the testing standards referenced throughout this guide, see our posts on the Martindale rub test, BS 5852 Crib 5 fire certification, and light fastness and the Blue Wool Scale.

How Velvet Is Made

Understanding the construction helps explain why fibre choice matters so much in velvet. In warp pile velvet, the pile yarns run along the length of the fabric and are woven over wires or rods. When the rods are withdrawn and the loops cut, a cut pile is formed. In double-cloth velvet, two fabrics are woven face to face simultaneously, joined by pile threads that are then cut to separate them and create pile on both faces. The resulting fabric has a distinct face and back, with the pile standing perpendicular to the base cloth.

The density and height of the pile, the twist of the pile yarn, and the weight and construction of the base cloth all affect performance. The most fundamental variable is the fibre from which the pile is made.

Mohair Velvet

Fibre origin: Hair of the Angora goat, primarily from South Africa and Turkey. South Africa produces more than half of the world’s mohair supply and is the global benchmark for quality. A long-staple, smooth, lustrous fibre with exceptional tensile strength.

Martindale rub count: 80,000 to 100,000 and above, depending on construction and pile density. Mohair velvet achieves the highest rub counts of any natural-fibre velvet and is the most reliably suitable natural-fibre velvet for heavy contract use. Kothea’s mohair velvet ranges are independently tested and achieve between 80,000 and 100,000 Martindale rubs across the active collections.

Fire rating: Mohair fibre, like wool, has natural flame-resistant properties arising from its high protein content. A correctly woven and constructed mohair velvet can achieve a BS 5852 Crib 5 pass without topical chemical treatment, depending on construction and backing. This is not universal across all mohair velvets and must be confirmed by an independent test certificate for the specific range. Kothea’s active mohair velvet ranges carry independently certified Crib 5 passes without topical treatment. Where this is confirmed, the certification does not depend on chemical coatings, is unaffected by cleaning, and does not alter the handle or appearance of the fabric.

Cleaning code: S. Dry-cleaning solvent only. Water applied to mohair velvet can cause watermarks and pile matting. For minor fresh stains, a barely dampened lint-free cloth worked in the direction of the pile is acceptable as a first response.

Light fastness: ISO 105-B02 grade 4 to 5 in light colourways and grade 5 to 6 in dark colourways. Suitable for most residential environments. For south-facing rooms, specify dark colourways or confirm the specific colourway grade with the supplier.

Pile appearance: High lustre with a characteristic directional sheen. The pile reflects light differently depending on viewing angle and pile direction, producing the depth of colour associated with luxury upholstery velvet.

Suitable applications: Heavy contract upholstery including hotel seating, restaurant banquettes, theatre and hospitality seating, residential sofas and chairs, headboards, cushions, and curtains.

Not recommended for: High-light environments without confirming the colourway grade. Outdoor or semi-outdoor use. Applications requiring machine washing.

Cost position: Premium.

Cotton Velvet

Fibre origin: Cotton plant. A short-staple natural cellulose fibre, widely grown and relatively inexpensive.

Martindale rub count: 20,000 to 60,000 depending on construction, pile density, and backing. Cotton velvet varies enormously in quality. A well-constructed heavyweight cotton velvet can achieve sufficient durability for general domestic and light contract use. A thin, loosely woven cotton velvet intended for curtains or cushions may achieve 10,000 rubs or fewer. Always confirm the specific Martindale figure for the range you are specifying.

Fire rating: Topical treatment required. Cotton fibre does not pass BS 5852 Crib 5 inherently. A back-coating of flame-retardant chemicals must be applied before use in contract environments. See our complete guide to Crib 5 for detail on inherent versus topical certification. For the risk of dye colour change after FR treatment, see our dye types and FR treatment guide.

Cleaning code: S or WS depending on the specific range. Cotton velvet treated with a back-coating for Crib 5 may require solvent-only cleaning to avoid degrading the treatment.

Light fastness: Grade 4 to 5 typically with standard reactive dyes.

Pile appearance: Matte to semi-matte. Cotton pile lacks the lustre of mohair and does not produce the same directional sheen.

Suitable applications: Domestic upholstery, cushions, curtains, and headboards.

Not recommended for: Heavy contract use without FR treatment and independent testing. High-humidity environments.

Cost position: Mid-range. Cotton velvet is typically less expensive than mohair at equivalent pile weights but requires the additional cost of FR treatment for contract use.

Silk Velvet

Fibre origin: Cocoon of the silkworm Bombyx mori. Silk is a continuous filament natural protein fibre of exceptional fineness and lustre.

Martindale rub count: Below 15,000 in most cases. Natural silk is the weakest of the natural-fibre velvets in abrasion terms. Silk velvet is decorative fabric, not upholstery fabric in the contract sense of the word.

Fire rating: Topical treatment is possible for domestic standards but silk velvet cannot reliably achieve a full Crib 5 pass for contract use.

Cleaning code: S. Dry-clean only. Silk is highly water-sensitive.

Light fastness: Grade 2 to 4 typically. Silk velvet should not be used in rooms with significant natural light exposure. See our light fastness guide for full context.

Pile appearance: The most lustrous of all velvet pile types.

Suitable applications: Decorative cushions, occasional chairs in low-use residential rooms, curtains in low-light environments, bed throws.

Not recommended for: Any contract application. South-facing rooms.

Cost position: High to very high.

Linen Velvet

Fibre origin: Flax plant. Linen is a bast fibre extracted from the stalk of the flax plant.

Martindale rub count: 15,000 to 25,000 typically. Kothea’s Linen Velvet achieves 20,000 Martindale rubs with a SI 1324 cigarette test pass.

Fire rating: Not inherently Crib 5. For contract use, FR treatment or a Schedule 3 interliner is required.

Cleaning code: S or WS. Confirm on the data sheet.

Light fastness: Grade 4 to 5 with standard reactive dyes.

Pile appearance: Matte. Linen velvet has a distinctly textural, natural surface character.

Suitable applications: Domestic upholstery, curtains, cushions, decorative headboards.

Not recommended for: Heavy contract use. High-humidity environments.

Cost position: Mid-range.

Cashmere and Cashmere-Silk Velvet

Fibre origin: Undercoat of the Himalayan Cashmere goat.

Martindale rub count: Low. Cashmere fibre is too fine and too short-staple to produce velvet with meaningful abrasion resistance for upholstery use. Kothea’s Cashmere Silk Velvet is specified for curtains only.

Fire rating: Topical treatment is technically possible but the handle and appearance of cashmere velvet are typically altered by the coating process.

Cleaning code: S. Dry-clean only.

Light fastness: Moderate. Cashmere is a protein fibre and susceptible to UV degradation.

Pile appearance: Extraordinarily soft handle with a subtle, fine lustre.

Suitable applications: Curtains, decorative cushions, bed throws, accent pieces in low-use residential rooms.

Not recommended for: Upholstery of any kind in regular use. Contract environments.

Cost position: Very high.

Synthetic Velvet: Trevira CS and Polyester

Fibre origin: Petrochemical derivatives. Trevira CS is a branded inherently fire-retardant polyester fibre manufactured in Germany.

Martindale rub count: High. Synthetic velvet typically achieves 50,000 to 150,000 Martindale rubs depending on construction.

Fire rating: Trevira CS is inherently flame-retardant. The flame retardancy is a permanent property of the polyester polymer and survives cleaning.

Cleaning code: W or WS typically.

Light fastness: Grade 6 to 7 typically. Solution-dyed synthetic velvet achieves the highest light fastness ratings available in velvet form.

Pile appearance: Varies considerably by construction.

Suitable applications: Contract upholstery where fire certification and durability are the primary requirements. Healthcare environments. Transport seating.

Not recommended for: Ultra-luxury residential briefs where natural fibre handle and appearance are client requirements.

Cost position: Lower to mid-range.

Alpaca Velvet

Fibre origin: Fleece of the South American alpaca.

Martindale rub count: 20,000 to 40,000 typically, depending on construction.

Fire rating: Alpaca is a natural protein fibre with moderate inherent fire resistance, but cannot be assumed to pass BS 5852 Crib 5 without specific independent testing. Request the test certificate from the supplier.

Cleaning code: S typically.

Light fastness: Grade 4 to 5 with standard acid dyes.

Pile appearance: Soft and slightly matte with a gentle natural lustre.

Suitable applications: Luxury residential upholstery, cushions, and occasional seating.

Not recommended for: Heavy contract use.

Cost position: High.

Specification Summary by Application

For heavy contract upholstery in hotels, restaurants, bars, and hospitality environments, mohair velvet with an independently certified Crib 5 pass achieved without topical treatment, and a rub count of 80,000 or above, is the most reliable natural-fibre specification. Synthetic Trevira CS velvet is the alternative where budget or client preference for machine-cleanable fabric applies.

For residential upholstery in moderate-use rooms, cotton velvet at 25,000 to 40,000 Martindale rubs is a sound mid-range specification. Linen velvet at 20,000 rubs suits briefs requiring a natural textural aesthetic.

For decorative applications, cushions, and occasional chairs in low-use rooms, silk velvet, cashmere velvet, or alpaca velvet are appropriate where budget allows and the client accepts the care requirements.

For south-facing rooms or high-light environments, confirm the specific ISO 105-B02 grade before specifying any velvet. Mohair in dark colourways, synthetic velvet, and solution-dyed fabrics offer the most reliable light fastness performance.

Quick answers

What is the most durable velvet for contract upholstery?
Mohair velvet is the most durable natural-fibre velvet for contract upholstery, achieving Martindale rub counts of 80,000 to 100,000 depending on construction. It also carries an inherent BS 5852 Crib 5 fire rating without topical treatment, making it the only natural-fibre velvet that meets both the durability and fire certification requirements of most UK contract environments without additional cost or treatment. High-specification synthetic velvet using Trevira CS fibre can achieve comparable or higher rub counts and also carries inherent fire resistance, at a lower cost but with a different aesthetic.


What is the difference between mohair velvet and cotton velvet?
Mohair velvet is made from the hair of the Angora goat and achieves Martindale rub counts of 80,000 to 100,000 with an inherent Crib 5 fire rating. Cotton velvet is made from cotton fibre and typically achieves 20,000 to 60,000 Martindale rubs depending on construction, with no inherent Crib 5 rating. Cotton velvet requires topical FR treatment for contract use. Mohair velvet has a characteristic directional sheen and depth of colour that cotton velvet does not replicate.


Can silk velvet be used for upholstery?
Silk velvet is not suitable for upholstery in regular use. It typically achieves fewer than 15,000 Martindale rubs, which places it in the decorative category unsuitable for seating. Silk is also highly photosensitive, with a light fastness grade of 2 to 4, meaning it will fade in rooms with natural light exposure. Silk velvet cannot reliably achieve a BS 5852 Crib 5 certification for contract use.


Does mohair velvet have an inherent Crib 5 fire rating?
Mohair fibre has natural flame-resistant properties and a correctly woven mohair velvet can achieve a BS 5852 Crib 5 pass without topical chemical treatment, depending on construction and backing. This is not guaranteed for all mohair velvets by fibre type alone and must be confirmed by an independent test certificate for the specific range. Kothea’s active mohair velvet ranges carry independently certified Crib 5 passes without topical treatment. This distinguishes correctly certified mohair velvet from cotton, linen, and silk velvets, all of which require topical treatment to achieve Crib 5.


What velvet is best for south-facing rooms?
For south-facing rooms, specify velvet with an ISO 105-B02 light fastness grade of at least 6. Mohair velvet in dark colourways achieves grade 5 to 6. Synthetic velvet and solution-dyed fabrics typically achieve grade 6 to 7. Silk velvet and cashmere velvet should not be specified for south-facing rooms. Cotton and linen velvet achieve grade 4 to 5, which is borderline for sustained south-facing exposure.


What is the difference between cut pile velvet and uncut pile velvet?
In cut pile velvet the pile loops are cut during production, producing upstanding individual fibres that create the characteristic dense, soft surface. In uncut pile or loop pile velvet the loops remain intact, producing a harder, more textural surface. Most upholstery velvet is cut pile. Some decorative velvets combine cut and uncut areas to create pattern, known as ciselé or voided velvet.


How do I clean velvet upholstery without damaging the pile?
The cleaning method depends on the cleaning code assigned to the specific fabric. Most velvet upholstery is coded S, meaning solvent-based dry-cleaning agents only. Water applied to an S-coded velvet can cause watermarks and permanent pile distortion. Always work in the direction of the pile when applying any cleaning agent or brushing.


Is linen velvet suitable for contract upholstery?
Linen velvet is suitable for light contract use, subject to FR treatment and confirmation of the Martindale rub count for the specific range. A well-constructed linen velvet at 20,000 Martindale rubs meets the minimum threshold for general contract use. However, linen velvet does not pass BS 5852 Crib 5 inherently and requires topical treatment or an appropriate interliner for contract environments.


For velvet specification in hotel and hospitality projects, see our hotel fabric specification guide. For velvet on walls and headboards, see our wall panels and headboards guide. For when velvet is the wrong choice, see our when not to use velvet guide. For pilling resistance by velvet type, see our pilling resistance guide. For mohair thermal properties in hospitality, see our mohair thermal properties guide. For colour fastness and crocking, and for how to name and specify colour precisely, see our colour fastness and crocking guide and colour naming and specification guide.

For full specification data including Martindale rub counts, fire ratings, and light fastness grades by range, see the mohair velvet upholstery page and the silks page.

For guidance on using velvet as an acoustic treatment in home studios and music rooms, see our fabric for home studio acoustics guide.

For the full specification library organised by environment, application, and performance need, see our fabric buying guide by purpose.

Request Samples

Order cutting samples of any fabric from our current collections. Trade accounts only.

Order Cuttings

Faux Leather Upholstery

Brown Faux Leather Upholstery Banquette
Brown Faux Leather Upholstery Banquette

Faux (or fake) Leather offers a great alterantive to leather. With Martindale rubs of over 100,000 this is a very safe choice for high use contract areas. It’s usually made of a pure cotton basecloth with a poly-cotton visible coating. There are many other animal skins that are mimiced in the same way and in many cases the finishes are convincing.

But why not just use leather?

Much leather production has now moved away from the West to areas with less stringent environmental laws and lower wage rates. This is where the problem lies.

Chromium based compounds are used in the tanning and curing process of real leather. They are thought to be carcinogenic as, in some European tanning factories, cancer rates were found to be up to 50% higher in workers than in the population as a whole. Furthermore there were higher incidences of Leukemia in children living in areas near the tanneries. Environmental problems are exacerbated by the siting of factories next to rivers; the significant amounts of discharge that are produced are fed into the water courses and then dispersed over wide areas. In more lowly regulated economies it is not unreasonable to believe that the situation is probably worse.

Moving towards a better leather requires that chromium use is stopped completely and that the water used in production is cleaned and re-used in the factory. Any tanins and dyes uses would preferably be plant based.

Food for thought: If you wear leather clothing on sweaty skin then chromium residues in the leather can rub off and enter the skin.

Faux Leather on doors and walls

Brown Faux Leather Upholstery Banquette
Brown Faux Leather Upholstery Banquette

KOTHEA had two recent projects where we had to adhere Faux Leather vertically. This poses a more serious challenge than paper-based wall coverings due to both the weight of the fabric (nearly 1kg per linear metre) and the wear and tear when adhered to a door. Both installations were more involved than domestic ones as we had to consider firstly the use on a yacht in a marine environment and secondly the high levels of usage of a hotel.

So the adhesive needs to be strong.

A further set of issues to overcome are related to how the fabric might react to any chemicals in the adhesive. In both instances our fabric had a 100% cotton back coat with a vinyl mix visible layer. Superfically a conclusion could be drawn that most adhesives would be OK with the surfaces they are fastening to in these instances ie a natural wooden door and inert stone wall combined with the natural cotton back cloth. However the adhesive will almost certainly penetrate the back cloth. Becuase of this the use of a solvent based adhesive, such as Asceton, is most definately not recommended.

So the adhesive needs to be strong and water based.

After performing suitability tests in these instances we chose to use Mapei’s Adheselix VS45 . VS45 is an acrylic adhesive in water dispersion and has been used extensively by Mapei’s customers for PVC/foam wallcoverings and rubber flooring. An alternative of Adesilex G19 was also suggested for areas with more moisture but that was not necessary in these cases.